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Critical Mass

Critical Mass was a collaborative project working with Tzortzis Rallis, the co-designer of the Occupied Times and Georgia Leontara and Aldo D’Angelo to create a publication inspired by the events and talks that had taken place at the London College of Communication’s Green

21

Critical Mass

Critical Mass was a collaborative project working with Tzortzis Rallis, the co-designer of the Occupied Times and Georgia Leontara and Aldo D’Angelo to create a publication inspired by the events and talks that had taken place at the London College of Communication’s Green

eureka

Eureka : Science & War

Magazine layout and information design for an article about the psychology of war. I reinforced the idea that people join forces against a common enemy by adding colour to the photographs to add an extra layer of narrative; the Allied

eureka

Eureka : Science & War

Magazine layout and information design for an article about the psychology of war. I reinforced the idea that people join forces against a common enemy by adding colour to the photographs to add an extra layer of narrative; the Allied

thummb

Electrical extensions

Illustrations showing how electricity has been used to enhance our senses of the world around us. Made using light cast from natural sunlight and ink.

thummb

Electrical extensions

Illustrations showing how electricity has been used to enhance our senses of the world around us. Made using light cast from natural sunlight and ink.

Carve-up-thumb

What a carve up!

This is a book cover design for the 2014 Penguin design awards. Although much of the narrative follows the ruthless and ambitious Winshaw family, what I found was most important was their effect on the world around them. I chose

Carve-up-thumb

What a carve up!

This is a book cover design for the 2014 Penguin design awards. Although much of the narrative follows the ruthless and ambitious Winshaw family, what I found was most important was their effect on the world around them. I chose

traid

TRAID

A collaborative project with Christina Tang to design a shop window display that could be applied to more than one of TRAID’s charity shop windows. The brief was to inform customers of TRAID’s charitable work, we decided to focus on

traid

TRAID

A collaborative project with Christina Tang to design a shop window display that could be applied to more than one of TRAID’s charity shop windows. The brief was to inform customers of TRAID’s charitable work, we decided to focus on

fara2

FARA

I worked in a team with Adélé Sasnauskaité and Ermina Takenova to pitch designs for a shop window display for the charity Fara. Taking inspiration from their logo, we used birds to bring out the idea of nurture and to emphasize their

fara2

FARA

I worked in a team with Adélé Sasnauskaité and Ermina Takenova to pitch designs for a shop window display for the charity Fara. Taking inspiration from their logo, we used birds to bring out the idea of nurture and to emphasize their

oxford2

Make & Change

A collection of objects from the Pitt Rivers Museum and the Ashmolean Museum that are examples of transforming objects into something new/different, examples include a pair of bull toys made from the outer layers of a coconut and shells tied

oxford2

Make & Change

A collection of objects from the Pitt Rivers Museum and the Ashmolean Museum that are examples of transforming objects into something new/different, examples include a pair of bull toys made from the outer layers of a coconut and shells tied